When looking for Pagan-related material, public and university libraries are go-to places. Keep in mind however, these two types of libraries collect for different purposes. Before you go searching through the stacks, to avoid frustration or disappointment, it’s important to know what it is you’re looking for.
Public Libraries
Public libraries are identified by having the words “public,” “district,” “community,” “area,” “memorial” or some other such communal word in the name of the library. They are typically named after their city or locale, or important local/historical figures.
A public library is all about the public –and for the most part (for better and worse), this translates to the majority. Public libraries are typically physically smaller facilities than universities (which, larger building size aside, can include anywhere from one to multiple library locations on campus). With significantly more limited storage space and funding, public libraries are all about getting the most bang for their buck, so their collection is going to be centered around what will get the most use. (Take note: the size of a collection of specialized material will be proportional to the size of a particular group in a given community. The smaller group of people of a particular interest, the smaller the quantity of material available for that particular interest)
What will get the most use with the public? Popular stuff. Popular, practical, ready-to-use stuff… meaning public libraries would be the go-to place for more familiar, “Blatant Pagan,” practical “Practicioner” titles. By “Blatant Pagan” I mean your catch-all, how-to books for spells, rituals, sabbats, tarot, runes, etc, and/or are usually penned by instantly recognizable, of household-fame authors (think Silver Ravenwolf, Ray Buckland, Starhawk, and Scott Cunningham).
A public library’s nonfiction collection is typically organized by the Dewey Decimal Classification (DDC) system. (I say “typically” because there is a growing shift in changing this organization… some libraries are switching over to a more organic “book store” style of “topic browsing”) If your library’s using DDC, check out the “Nonfiction Whereabouts” section on the Reader’s Advisory page. This will help guide where you browse.
It also wouldn’t be a bad idea to periodically check out a library’s “book sale” collection. Just about every public library has a used books collection available for sale as a way to help fund the library and its special projects. Sometimes this collection is available for sale all-year long, sometimes a library will make an event out of it. But these collections are comprised of books in good condition that have either been removed from the library’s circulating collection due to age or lack of use, or books that people have donated to the library that didn’t make the cut to be included on the shelves. Prices are nominal – from anywhere from 5¢ to $1.50 you can purchase books.
University Libraries
University, or “Academic” libraries are identified as being facilities located on a large college or university campus. I must specify however, that not all college libraries are created equal. Smaller 2-year community colleges or trade schools (associate degrees, certifications) will not have the same broad offerings as their larger, more traditional 4-year counterparts that offer bachelor, master, and doctorate degrees. 2-year college library collections are significantly smaller and are often more career- and trade skills-centric.
A university library will rarely offer the popular-practical, but they will often have more material promising to be “of Pagan Interest.” The mission of university collections is to support the university’s ENTIRE body of curriculum. This means not only are they carrying the primary or “required” reading material for every course offering of the last X-number of years, they also collect additional “supportive” material to serve as supplementary reading and as resources for all the students and faculty conducting an even broader range of specialized research.
If you’re looking to delve more into the history, heritage, authenticity, and “why’s” of what you believe or what you’re doing, the university library is your key. Granted, you may have to do a little more homework to prepare for your search (or else don’t be afraid to enlist the help of a librarian…
), but you can find some valuable gems in philosophy, anthropology, history, folk studies, religious studies, etc. to name a few general areas. Again, I’ll refer you to the Readers Advisory page to guide your search in the stacks as university libraries organize their material with a much more detailed/complicated Library of Congress Classification system (LCC).
You’re more likely to find more scholarly authors like Ronald Hutton, Margot Adler, Chas Clifton, and Helen Berger. You’ll also find plenty of non-pagan authors whose books either directly or indirectly touch on Pagan culture, history, or thought.
It’s unlikely universities will have magick- or spell books hidden in their stacks, but you will find material that examines a wide variety of mythologies, studies cultural movements, traces the roots and history of civilizations across time and geographic location, offer discussion and criticism of various belief systems and religious structures, and reveal (or speculate) the history of symbols and secret societies.
Final Notes
There are a few other differences that are neither here nor there, but may be worth pointing out for the sake of observation. I’m not making noted because I’m saying one type of material is superior to another –popular and academic materials have both their equal share of merit and downfall.
Authority - Information within more popular materials is more often based on personal experience than research heavy. How-to’s are often collected or passed down through tradition. “This is a spell I wrote/ritual I created.” “This is the way it’s been done,” or “this is how you do it,” or “this color is for X purpose. Because it is.” They cut to the chase and just say “this is.” Boom.
Academic material will be more analytical, critical, and cold-hard-facts research based. They have spent the time rooting around history and works to find out “This is why people did it this way.” “this is why this is important and how it came to be so,” or “people interpretted this color as X because it reminded them of Y.”
Now here’s my disclaimer: what I’m NOT saying is that authors like Starhawk or Silver Ravenwolf should be discounted and don’t know what they’re talking about – they DO, and I have absolutely NO DOUBT that they know a great deal more than I do about certain things, and they absolutely have WAY MORE personal experience practicing the craft than I do. What I AM saying is I would rely more on Hutton to provide a more thorough history of European traditions than I would Ravenwolf. Hutton and Ravenwolf do different things, and they each do their different things well.
(It’s after 1am at this point, so most likely I’m just off on a meaningless tangent. Apologies. Bear with me.)
Identity - Authors who are more academic- or research-based (as found in university libraries) are more likely to use their real names, or at least have pen names that don’t involve colors, animals, or crystals, as is often found with popular authors.
I find that interesting. Academics who pour so much time into their research want/deserve their due credit and acknowledgement for their contributions. But I have to wonder about the authors of “Blatant Pagan” popular material… Are the nom de plumes employed to maintain a boundary of anonymity for their mundane-professional/personal life? When is it to protect a private life for privacy’s sake V. fear of stigma V. a more “sensational” name selling a product?
Food for thought. But now it’s time for bed. I’ll leave you all to discuss. *waves fingers around at all y’alls*
“I’m all Verklempt! Talk amongst yourselves, here, I’ll give you a topic: hot dogs. They are neither hot, nor are they dogs. Discuss.”
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